![]() Two key figures in putting together those sequences were Bruce Pandolfini, a longtime chess author and coach who also consulted on the original novel, and Michelle Tesoro, The Queen’s Gambit’s editor, who also worked with Frank on Godless. ![]() By the end of the show, you might actually find yourself wanting to watch more chess - or at least I did. The show is filled with sequences of Beth playing chess, which could make for dreadfully boring television, but the series, developed by Godless’s Scott Frank and Allan Scott, plots out numerous engaging matches, and edits each of them together in a variety of ways to hold your attention. Once Beth starts to play chess, she can’t really bring herself to stop thinking about it, playing out games in her head, and obsessing over the matches she does and does not win over the course of her career. The Netflix series, based on Walter Tevis’s novel, imagines the life of a fictional addiction-prone American chess prodigy, played by Anya Taylor-Joy, who rockets into the highest levels of the international chess circuit in the 1950s and ’60s. Once young orphan Elizabeth Harmon gets in front of a chessboard, her life snaps together around a purpose, and so does The Queen’s Gambit.
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